With the increasing popularity of online movie-streaming sites like Netflix, some movies are being ripped from such websites now and are being encoded in HEVC wrapped in Matroska containers. This codec allows a high-quality movie to be stored in a relatively smaller file size.
A Cam is a copy made in a cinema using a camcorder or mobile phone. The sound source is the camera microphone. Cam rips can quickly appear online after the first preview or premiere of the film. The quality ranges from subpar to adequate, depending on the group of persons performing the recording and the resolution of the camera used. The main disadvantage of this is the sound quality. The microphone does not only record the sound from the movie, but also the background sound in the cinema. The camera can also record movements and audio of the audience in the theater, for instance, when someone stands up in front of the screen, or when the audience laughs at a funny moment in the film.
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DVD-R refers to a final retail version of a film in DVD format, generally a complete copy from the original DVD. If the original DVD is released in the DVD-9 format, however, extras might be removed and/or the video reencoded to make the image fit the less expensive for burning and quicker to download DVD-5 format. DVD-R releases often accompany DVD-Rips. DVD-R rips are larger in size, generally filling up the 4.37 or 7.95 GiB provided by DVD-5 and DVD-9 respectively. Untouched or lossless rips in the strictest sense are 1:1 rips of the source, with nothing removed or changed, though often the definition is lightened to include DVDs which have not been transcoded, and no features were removed from the user's perspective, removing only restrictions and possible nuisances such as copyright warnings and movie previews.
VODRip stands for Video-On-Demand Rip. This can be done by recording or capturing a video/movie from an On-Demand service such as through a cable or satellite TV service. Most services will state that ripping or capturing films is a breach of their use policy, but it is becoming more and more popular as it requires little technology or setup. There are many online On-Demand services that would not require one to connect their TV and computer. It can be done by using software to identify the video source address and downloading it as a video file which is often the method that bears the best quality end result. However, some people have used screen cams which effectively record, like a video camera, what is on a certain part of the computer screen, but does so internally, making the quality not of HD quality, but nevertheless significantly better than a Cam or Telesync version filmed from a cinema, TV or computer screen.
WEB-DL (P2P) refers to a file losslessly ripped from a streaming service, such as Netflix, Amazon Video, Hulu, Crunchyroll, Discovery GO, BBC iPlayer, etc., or downloaded via an online distribution website such as iTunes. The quality is relatively good since they are not re-encoded ("untouched" releases). The video (H.264 or H.265) and audio (AC3/AAC) streams are usually extracted from iTunes or Amazon Video and remuxed into a MKV container without sacrificing quality. An advantage with these releases is that, like BD/DVDRips, they usually have no onscreen network logos unlike TV rips. A disadvantage is that if there are normally subtitles for scenes in other languages, they often aren't found in these releases. Some releases are still mislabeled as WEBRip.
Unfortunately, something like this will probably never, ever happen. The whole state of legitimate digital video market is fucking pathetic. Everything is locked down with DRM, most things offer online streams only, very few download options exist (and all are laced with DRM), most content is only available in the US (Netflix has existed for over a decade already and we still have nothing that could seriously compare to it outside the US). It says a goddamn lot when a niche like anime has the largest worldwide legal availabity thanks to few players like CrunchyRoll, and even their service is far from ideal when it comes to availability.
Just what are those two percussion players doing? Even by the standards of contemporary composition, in which the word \u2018percussion\u2019 is often a catchall for a baffling variety of instruments, very little in this fabulous hour of musique concr\u00E8te resembles music performed by human beings. Nothing I\u2019ve read online has been very illuminating; the album comes with no liner notes and was released to no reviews. In fact, it\u2019s hard to find out more than the piece\u2019s composition date (1986) and runtime (58:08). 2ff7e9595c
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